The most important class, however, for me and for hundreds of other Hungarian musicians, was the chamber-music class. From about the age of fourteen, and until graduation from the Academy, all instrumentalists except the heavy-brass players and percussionists had to participate in this course. Presiding over it for many years was the composer Leó Weiner, who thus exercised an enormous influence on three generations of Hungarian musicians.

Sir Georg Solti
Emőke Baráth, Vilmos Szabadi & Mariann Marczi

23 February 2023, 19.00-21.00

Solti Hall

Chamber Music, So Close

Emőke Baráth, Vilmos Szabadi & Mariann Marczi Presented by Liszt Academy

Elgar: Sonata for Violin and Piano in E minor, Op. 82
Haydn: Angol canzonettas, Hob. XXVIa:25–30
Vaughan Williams: Sonata for Violin and Piano in A minor
Britten: Les Illuminations (The Illuminations) – song cycle, Op. 18
Haydn: Sonata for Violin and Piano in G major, Hob. XV:32
Haydn: Angol canzonettas, Hob. XXVIa:31–36
Britten: Suite for Violin and Piano, Op. 6

Emőke Baráth (soprano), Vilmos Szabadi (violin), Mariann Marczi (piano)

Presented by

Liszt Academy Concert Centre

Tickets:

HUF 2 500, 3 900

Concert series:

Chamber Music, So Close

Other events in the concert series: