The most important class, however, for me and for hundreds of other Hungarian musicians, was the chamber-music class. From about the age of fourteen, and until graduation from the Academy, all instrumentalists except the heavy-brass players and percussionists had to participate in this course. Presiding over it for many years was the composer Leó Weiner, who thus exercised an enormous influence on three generations of Hungarian musicians.

Sir Georg Solti
Michael Rusinek & Budapest Festival Orchestra

13 December 2024, 19.45-22.00

Grand Hall

Michael Rusinek & Budapest Festival Orchestra

Haydn: Symphony No. 93 in D major, Hob. I:93
Mozart: Clarinet Concerto in A major, K. 622
Mozart: Symphony No. 39 in E-flat major, K. 543

Michael Rusinek (clarinet)
Budapest Festival Orchestra
Conductor: Manfred Honeck

Like the October concert in the series presenting Haydn’s and Mozart’s works, this performance will feature one of Haydn’s symphonies and a wind concerto by Mozart along with one of his final three symphonies. Leading the Budapest Festival Orchestra will be Manfred Honeck, an Austrian compatriot of the Viennese masters, who is not only an honorary conductor of the Bamberg Symphony Orchestra, but, for the past more than one and a half decades, has also served as the music director of the Pittsburgh Symphony Orchestra. Michael Rusinek, first clarinetist of the American ensemble, will join the BFO to perform the solo of the clarinet concerto, Mozart’s last finished piece. Before it, Haydn’s voice as he broke free from the bonds of the Esterházy Court will be presented in one of the London Symphonies. The concert will wrap up with Mozart’s Symphony No. 39, the companion piece to the “Jupiter” and the “Great” G minor symphony, the latter also on the BFO’s program this season.

Presented by

Budapest Festival Orchestra

Tickets:

HUF 4 400, 5 800, 7 300, 10 500, 12 100, 16 200

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