The most important class, however, for me and for hundreds of other Hungarian musicians, was the chamber-music class. From about the age of fourteen, and until graduation from the Academy, all instrumentalists except the heavy-brass players and percussionists had to participate in this course. Presiding over it for many years was the composer Leó Weiner, who thus exercised an enormous influence on three generations of Hungarian musicians.

Sir Georg Solti
Budapest Festival Orchestra

15 December 2018, 19.45-21.30

Grand Hall

Budapest Festival Orchestra Presented by Liszt Academy

Geminiani: Concerto Grosso No. 12 in D minor (ʻLa Follia’)
Torelli: Concerto Grosso in G minor, Op. 8/6 (ʻChristmas Concerto’)
Vivaldi: Trio Sonata, RV 65 – 2. Allemanda, 3. Sarabanda
Hasse: Larinda e Vanesio – intermezzo in three parts

 

 

Yeree Suh (sopráno), Fulvio Bettini (baritone)
Budapest Festival Orchestra
Artistic director and concertmaster: Midori Seiler
Baroque gestures: Sigrid T’Hooft

Presented by

Budapest Festival Orchestra

Tickets:

HUF 3 000, 4 000, 5 000, 7 100, 11 800