The most important class, however, for me and for hundreds of other Hungarian musicians, was the chamber-music class. From about the age of fourteen, and until graduation from the Academy, all instrumentalists except the heavy-brass players and percussionists had to participate in this course. Presiding over it for many years was the composer Leó Weiner, who thus exercised an enormous influence on three generations of Hungarian musicians.

Sir Georg Solti
Concerto Budapest – Première III

15 May 2020, 22.00-22.30

Grand Hall

Concerto Budapest – Première III

Gyula Csapó

Cancelled

Gyula Csapó: Viola Concerto (première of the revised, 2019 version)

Gábor Homoki (viola)
Concerto Budapest
Conductor: Gergely Dubóczky

Gyula Csapó’s single-movement concerto was commissioned by the brilliant violist Rivka Golani. The composer characterized his composition written in four years before the 2008 première thus: “I give a role to the orchestra not as a unified mass but chamber-like, or even as soloists. It is a viola concerto from the fact that the part of the bass violin runs all the way through the piece like a red thread. I imagined a rich instrumental environment around it in which the viola fills its very characteristic role in so many perspectives. It is a travel companion that accompanies the work, to which other join who then ‘descend’ at certain points. I wanted to demonstrate the duality of diversity and uniformity.” Csapó has rethought his viola concerto and it is this brand-new version that is performed under the baton of youthful conductor Gergely Dubóczky who has shown his particular sensitivity to contemporary works, and the globally sought-after string artist Gábor Homoki who plays with Hungarian Quartet as a chamber musician.

Presented by

Concerto Budapest

Tickets:

HUF 1 000