The most important class, however, for me and for hundreds of other Hungarian musicians, was the chamber-music class. From about the age of fourteen, and until graduation from the Academy, all instrumentalists except the heavy-brass players and percussionists had to participate in this course. Presiding over it for many years was the composer Leó Weiner, who thus exercised an enormous influence on three generations of Hungarian musicians.

Sir Georg Solti

30 January 2022, 19.00-21.00

Solti Hall

Hommage à Kreisler

Kreisler: Recitativo and Scherzo-Caprice, Op. 6
Ysaÿe: Violin Sonata No. 4 in E minor, Op. 27/4
Debussy: La plus que lente
Vecsey: Valse triste
Tchaikovsky: Six Pieces, Op. 51 – 6. Valse sentimentale
Dvořák: Four Romantic Pieces, Op. 75
Kreisler: Old Viennese Dance Tunes – 2. Liebesleid, 3. Schön Rosmarin

INTERMISSION

Brahms: Piano Quintet in F minor, Op. 34

László G. Horváth (violin), Zsófia Váray-Major, Péter Kiss (piano)
Quartetto Speranza: László Horváth, Tamás Szabó (violin), Gergő Fajd (viola), Péter Háry (cello)

Presented by

Egy Hangversenyteremért Foundation

Tickets:

HUF 2 000

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