The most important class, however, for me and for hundreds of other Hungarian musicians, was the chamber-music class. From about the age of fourteen, and until graduation from the Academy, all instrumentalists except the heavy-brass players and percussionists had to participate in this course. Presiding over it for many years was the composer Leó Weiner, who thus exercised an enormous influence on three generations of Hungarian musicians.

Sir Georg Solti
Spring Awakening

5 April 2022, 19.00-20.30

Solti Hall

Spring Awakening Presented by Liszt Academy

Performance of the Universität der Künste Berlin

Máté Bella: Spring Awakening

Libretto: András Almási-Tóth, based on the drama Spring Awakening by Frank Wedekind (translated to german by Errico Fresis and NóraFüzi)
Wendla: Charlotte Watzlawick
Melchior: Young Jun Park
Moritz: Mose Kim
Director: Antonia Schuchardt
Martha/Mother: Xiao Chi
Thea/First voice: Lea Kohnen
Ilse/Second voice: Hyuneum Kim
Third voice: Polonkai Renáta
The Masked Man/Ernst: Ruilin Hu
Boy: Thoma Wutz
Set: Paula Meuthen & Madalena Wallenstein de Castro
Costumes: Vera Holthaus
Lighting: Miriam Damm
Piano: Füzi Nóra
Technical director: Roland Lück
Assistant to the director: Caroline Simon
Director: Isabel Hindersin
UMZE Chamber Ensemble
Conductor: Errico Fresis

Presented by

Liszt Academy Concert Centre

Tickets:

HUF 1 500