The most important class, however, for me and for hundreds of other Hungarian musicians, was the chamber-music class. From about the age of fourteen, and until graduation from the Academy, all instrumentalists except the heavy-brass players and percussionists had to participate in this course. Presiding over it for many years was the composer Leó Weiner, who thus exercised an enormous influence on three generations of Hungarian musicians.

Sir Georg Solti

Hungarian National Philharmonic Orchestra

13 December 2018, 19.30-22.00

Grand Hall

Hungarian National Philharmonic Orchestra Presented by Liszt Academy

Life and Death

Haydn: La fedeltà premiata – overture, Hob. Ia:11
Beethoven: Ah, perfido! – concert aria, Op. 65
Schumann: Overture, Scherzo and Finale, Op. 52
Wagner: Tristan unde Isolde – Prelude and Isolde’s Love Death
R. Strauss: Tod und Verklärung – tone poem, Op. 24

Karita Mattila (soprano)
Hungarian National Philharmonic Orchestra
Conductor: Zsolt Hamar

Presented by

Hungarian National Philharmonic Orchestra

Tickets:

HUF 3 000, 4 500, 6 000

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