The two Hungarians not only played music, they were themselves the music – in every nerve – down to their fingertips.

Adelheid von Schorn on Reményi and Liszt
Dohnányi Orchestra Budafok

3 March 2019, 11.00-13.00

Grand Hall

Understandable Music

Dohnányi Orchestra Budafok Presented by Liszt Academy

Milestones in Music – Damnation and Apotheosis

Mozart: Don Giovanni, K. 527 – Excerpts from the 2nd Part

Don Giovanni: Zsolt Haja
Leporello: András Hábetler
Donna Anna: Adrienn Miksch
Donna Elvira: Beatrix Fodor
Don Ottavio: János Szerekován
Zerlina: Rita Rácz
Masetto: István Gáspár
Commendatore: Dömötör Pintér
Dohnányi Orchestra Budafok
Performing and conductor: Gábor Hollerung

Mozart’s Don Giovanni is a milestone in opera literature. Mozart was the first in the barely 200-year-old history of opera to step outside the closed world of social conventions, the grip of mythological parables and exalted social morals, and openly step over moral platitudes. In his opera what is moral is approached from the sense of life, and without a shadow of doubt, Don Giovanni himself is the absolute hero of opera, a hero with whom it is possible, and worthwhile, to identify. Although Don Giovanni is condemned to eternal damnation, and Mozart – pressured by outsiders – supplemented the work with a moralizing finale, the work is still the overture to 19th- and 20th-century freedom of thought and the increasingly open expression of moral questioning.

 

 

Presented by

Dohnányi Orchestra Budafok

Tickets:

HUF 1 900, 2 200, 2 700, 3 200