The two Hungarians not only played music, they were themselves the music – in every nerve – down to their fingertips.

Adelheid von Schorn on Reményi and Liszt
Concerto Budapest

23 May 2019, 19.30-22.00

Grand Hall

Concerto Budapest Presented by Liszt Academy

Wagner: Tristan und Isolde – Prelude and Isolde's Love Death
Mendelssohn: Piano concerto No. 1 in G minor, Op. 25


Beethoven: Symphony No. 3 in E-flat major, Op. 55 (‘Eroica’)

Fülöp Ránki (piano)
Concerto Budapest
Conductor: Nikolaj Znaider

This concert offers a virtually representative setting of 19th-century German music history from Beethoven to Wagner, even if it does run in reverse order. “… From the most timid confession and tender attraction to anxious longing, hope and apprehension, complaints and desires, rapture and torment and, finally, to the most powerful impulse […] that might open a way for the inexhaustible craving heart to enter the sea of love’s endless delight.” This is how Wagner characterized the prelude of Tristan, the concert hall performance of which is often linked by Isolde’s Love-Death. Both Tristan and Mendelssohn’s Piano Concerto No. 1, penned when the composer was 22 years old, premiered in Munich, both in the presence of the King of Bavaria. At just 24, the astoundingly gifted Fülöp Ránki takes on the role of soloist for the three interconnected movements of the concerto. The conductor is Nikolaj Znaider who, although one of the busiest star violinists in the world, has over the past few years increasingly turned his attention to wielding the conductor’s baton. In the second half of the recital we find out how Eroica, which has played a key part in the concert repertoire for a good 200 years, sounds under the direction of the virtuoso musician.

Presented by

Concerto Budapest


HUF 2 200, 3 100, 3 900, 4 800, 5 900