The most important class, however, for me and for hundreds of other Hungarian musicians, was the chamber-music class. From about the age of fourteen, and until graduation from the Academy, all instrumentalists except the heavy-brass players and percussionists had to participate in this course. Presiding over it for many years was the composer Leó Weiner, who thus exercised an enormous influence on three generations of Hungarian musicians.

Sir Georg Solti

18 January 2020, 11.00-13.00

Old Academy of Music, Chamber Hall

Liszt Museum Morning Concert

Klaudia Tandl & Niall Kinsella Presented by Liszt Academy

Schubert: Die Männer sind méchant, D. 866/3
Schubert: Die junge Nonne, D. 828
Schubert: Des Mädchens Klage, D. 191
Schubert: Heidenröslein, D. 257
Schubert: Suleika I, D. 720
Schubert: Suleika II, D. 717
Schubert: Kennst du das Land, D. 321
Schubert: Heiss mich nicht reden, D. 877/2
Schubert: So lasst mich scheinen, D. 877/3
Schubert: Nur wer die Sehnsucht kennt, D. 877/4
Schubert: Der Fischer, D. 225
Schubert: Du liebst mich nicht, D. 756
Schubert: Thekla, D. 595
Schubert: Der Jüngling an der Quelle, D. 300
Schubert: Luisens Antwort, D. 319
Schubert: Der König in Thule, D. 367
Schubert: Gretchen am Spinnrade, D. 118
Schubert: Gretchens Bitte, D. 564

Klaudia Tandl (vocals), Niall Kinsella (piano)


HUF 2 000