The most important class, however, for me and for hundreds of other Hungarian musicians, was the chamber-music class. From about the age of fourteen, and until graduation from the Academy, all instrumentalists except the heavy-brass players and percussionists had to participate in this course. Presiding over it for many years was the composer Leó Weiner, who thus exercised an enormous influence on three generations of Hungarian musicians.

Sir Georg Solti
Doctoral Concerts/1

28 October 2020, 19.00-21.00

Solti Hall

Doctoral Concerts/1 Presented by Liszt Academy

Janáček: Sonata for Violin and Piano
Eszter Kökény (violin)
Kinga Várallyay (piano)
Gounod: „Ah! Je ris de me voir si belle” – Marguerite’s Air des bijoux from the Act 3 of the opera Faust
Tchaikovsky: „Otchego eto prezhde ne znala” – Jolanta's Arioso from the Act 1 of the opera Jolanta
Blanka Bede (vocals)
Ferenc János Szabó (piano)
Hindemith: Sonata for Viola and Piano, Op. 11/4
Enescu: Concertstück
Péter Bor (viola)
Imre Dani (piano)
Gershwin: „My man’s gone now” – Serenaʼs lament from the Act I of the opera Porgy and Bess
Blanka Bede (vocals)
Ferenc János Szabó (piano)
Bartók: Sonata for Violin and Piano No. 1, BB 84
Eszter Osztrosits (violin)
Imre Dani (piano)

Presented by

LFZE Doctoral School


Admission to the concert is free. Tickets can be claimed at the Ticket Office of the Liszt Academy or on our website.