The most important class, however, for me and for hundreds of other Hungarian musicians, was the chamber-music class. From about the age of fourteen, and until graduation from the Academy, all instrumentalists except the heavy-brass players and percussionists had to participate in this course. Presiding over it for many years was the composer Leó Weiner, who thus exercised an enormous influence on three generations of Hungarian musicians.

Sir Georg Solti

28 November 2020, 11.00-13.00

Old Academy of Music, Chamber Hall

Liszt Museum Morning Concert

Tímea Papp & Kata Scheuring Presented by Liszt Academy

Annie Fischer Scholarship Winners


J. S. Bach: Lute Suite in E minor, BWV 996
J. S. Bach: Sonata for Flute and Harpsichord in G minor, BWV 1020
Saint-Saëns: Romance, Op. 37
Saint-Saëns: Fantaisie for Violin and Harp, Op. 124
Donizetti–Zabel: Solo from the opera Lucia di Lammermoor
Brod: Fantasy on the Mad Scene from Donizettiʼs Lucia di Lammermoor, Op. 57

Tímea Papp (harp), Kata Scheuring (flute)


HUF 2 000 (for students and pensioners HUF 1 000)