The most important class, however, for me and for hundreds of other Hungarian musicians, was the chamber-music class. From about the age of fourteen, and until graduation from the Academy, all instrumentalists except the heavy-brass players and percussionists had to participate in this course. Presiding over it for many years was the composer Leó Weiner, who thus exercised an enormous influence on three generations of Hungarian musicians.

Sir Georg Solti
Kremer, Rysanov, Kremerata…

16 July 2021, 19.30-22.00

Grand Hall

Festival Academy 2021

Kremer, Rysanov, Kremerata…


Leonid Desyatnikov: Letter to Father
Lilla Horti (soprano), Zoltán Fejérvári (piano)
Bartók: Fourty-Four Duos for Two Violins, BB 104 – excerpts
Folk music from the Carpathian Basin
Katalin Kokas, Barnabás Kelemen (violin)
István Pál „Szalonna” and his band
Prokofiev: Four Movements from Romeo and Juliet, Op. 64 (Vadim Borizovsky transcription)
Maxim Rysanov (viola), José Gallardo (piano)
Piazzolla: Tres minutos con la realidad
Arturs Maskats: Midnight in Riga
Piazzolla – Andrej Puskarev: Le Grand Tango
Piazzolla – Andrei Pushkarev: Little Italy
Piazzolla – Andrei Pushkarev: Fuga y Misterio
Piazzolla – Andrej Pushkarev: Celos
Piazzolla – Andrei Pushkarev: Michelangelo 70
Gidon Kremer (violin), Giedrė Dirvanauskaitė (cello), Andrei Pushkarev (vibrafon)
Kremerata Baltica

Live stream free of charge at the Facebook page and Youtube channel of the Festival Academy and the Liszt Academy, at the website of the Festival Academy and at the Online Concert Hall of the Liszt Academy, and at the website of Papageno.

Presented by

Festival Academy Budapest


HUF 8 000