EN
The most important class, however, for me and for hundreds of other Hungarian musicians, was the chamber-music class. From about the age of fourteen, and until graduation from the Academy, all instrumentalists except the heavy-brass players and percussionists had to participate in this course. Presiding over it for many years was the composer Leó Weiner, who thus exercised an enormous influence on three generations of Hungarian musicians.
Sir Georg Solti

15 December 2021, 18.00-20.00

Old Academy of Music, Chamber Hall

Liszt Ferenc Society

Concert on the 200th Anniversary of the Death of Camille Saint-Saëns

Saint-Saëns: Chanson à boire du vieux temps
Saint-Saëns: Viens!
Saint-Saëns: El desdichado
Saint-Saëns: Désir de l’Orient
Saint-Saëns: „Je faisais un rêve insensé” – Léna’s aria from The Yellow Princess
Saint-Saëns: „Vois ma misère, hélas!” – Samson’s scene from Samson et Dalila, Act 3
Saint-Saëns: S’il est un charmant gazon
Liszt: S’il est un charmant gazon
Saint-Saëns: L’arbre
Saint-Saëns: Danse macabre, Op. 40
Saint-Saëns - Liszt: Totentanz

Eszter Finszter, Katoh Hiroko, Nikolett Mráz, Martin Csölley, Artúr Szeleczky (vocals)
Gergely Bábinszki, János Ferenc Szabó (piano)

Presented by

Liszt Társaság

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