The most important class, however, for me and for hundreds of other Hungarian musicians, was the chamber-music class. From about the age of fourteen, and until graduation from the Academy, all instrumentalists except the heavy-brass players and percussionists had to participate in this course. Presiding over it for many years was the composer Leó Weiner, who thus exercised an enormous influence on three generations of Hungarian musicians.

Sir Georg Solti

15 January 2022, 11.00-13.00

Old Academy of Music, Chamber Hall

Liszt Museum Morning Concert

Judit Nagy & Tímea Papp Presented by Liszt Academy

Mouquet: Divertissement grec, Op. 23
Mouquet: La flûte de Pan, Op. 15 – Pan et les bergers,. Pan et les oiseaux
Debussy: Deux Arabesques – 1. Arabesque in E major
Debussy: Préludes, Book 1 – La fille aux cheveux de lin
Donizetti: Larghetto and Allegro
Donizetti–Zabel: Solo from the opera Lucia di Lammermoor
Bartók: Romanian Folk Dances, BB 68
Bartók: Ten Easy Pieces, BB 51 – 5. Evening in Transylvania
Bartók: Three Hungarian Folksongs from Csík, BB 45b
Bartók: Fifteen Hungarian Peasant Songs, BB 79

Judit Nagy (flute), Tímea Papp (harp)


HUF 2 000 (for students and pensioners HUF 1 000)