The most important class, however, for me and for hundreds of other Hungarian musicians, was the chamber-music class. From about the age of fourteen, and until graduation from the Academy, all instrumentalists except the heavy-brass players and percussionists had to participate in this course. Presiding over it for many years was the composer Leó Weiner, who thus exercised an enormous influence on three generations of Hungarian musicians.

Sir Georg Solti
Hungarian Radio Symphony Orchestra

8 February 2022, 19.30-22.00

Grand Hall

Hungarian Radio Symphony Orchestra

Dohnányi Series/3

Respighi: Concerto gregoriano
Puccini: Messa di Gloria

Ádám Banda (violin), Attila Fekete, Miklós Sebestyén (vocals)
Hungarian Radio Symphony Orchestra and Choir (choirmaster: Zoltán Pad)
Conductor: José Cura

Ottorino Respighi’s Violin Concerto, the Concerto gregoriano, was written in 1922 and just three years later it was performed under the baton of the composer himself in Budapest. A music critic of the daily Pesti Hírlap considered that Respighi was a virtuoso musical colourist, a superb orchestrator in grandiose effects, who was complex even in his simplicity. As a conductor, he was delicate and elegant, aethereal and sublime. The piece reappeared in Budapest in 1933 and interestingly, similarly to this Radio Orchestra and José Cura concert, a liturgical work (Ernő Dohnányi: Szeged Mass) also appeared on the programme. This time around it is Puccini’s work from his youth; elements of Messa di Gloria may be familiar from his later operas such as Manon Lescaut and Tosca.

Presented by

Hungarian Radio Art Groups

Tickets:

HUF 3 500, 4 000, 5 000, 6 000