The most important class, however, for me and for hundreds of other Hungarian musicians, was the chamber-music class. From about the age of fourteen, and until graduation from the Academy, all instrumentalists except the heavy-brass players and percussionists had to participate in this course. Presiding over it for many years was the composer Leó Weiner, who thus exercised an enormous influence on three generations of Hungarian musicians.

Sir Georg Solti
Eduard Sánchez & Gabriella Gyökér

8 October 2022, 11.00-13.00

Old Academy of Music, Chamber Hall

Liszt Museum Morning Concert

Eduard Sánchez & Gabriella Gyökér Presented by Liszt Academy

Drigo: Les millions d’Arlequin
C. Ph. E. Bach: Sonata for Flute and Basso Continuo in G major ('Hamburg'), Wq 133
Gluck: Orfeo ed Euridice – Dance of the Blessed Spirits (transcription for flute and piano)
Mozart: Sonata for Violin and Piano No. 18 in G major, K. 301 (transcription for flute and piano)
Bizet: Carmen – Entr’acte from Act 2 (transcription for flute and piano)
Hummel: Sonata for Flute and Piano in D major, Op. 50
Doppler: Mazurka de salon, Op. 16
Jorge Grundman: Tan bonita como tú, Op. 82

Eduard Sánchez (flute), Gabriella Gyökér (piano)


HUF 2 000 (for students and pensioners: HUF 1 000)