Department of Vocal and Opera Studies Presented by Liszt Academy

Mozart: „Ah, guarda, sorella” – Duo of Fiordiligi and Dorabella from the opera Così fan tutte, Act 1
Alexandra Szabó, Vivienne Ortan (vocals), Gábor Alszászy (piano)
Evening Rise
Luca Dolhai, Donatella Hunyadi, Ilka Fodor, Anna Szekér, Mihály Döbörhegyi, Balázs Havalda (vocals)
Monteverdi: Lamento della ninfa
Diána Szőke, László Havas-Horváth, Zoltán Papp, Balázs Bán, Balázs Gyárfás, Áron Rátkay (vocals)
Mozart: „Bald prangt, den Morgen zu verkünden” – scene of the Three boys and Pamina from the opera Die Zauberflöte
Boglárka Híves, Laura Garics, Adél Szikora, Ilka Fodor (vocals)
Brahms: Neue Liebeslieder, Op. 65 – 1. Verzicht, o Herz, auf Rettung, 2. Finstere Schatten der Nacht, 7. Vom Gebirge Well auf Well
Nikolett Mráz, Eszter Finszter, Balázs Papp, László Czinke, Ádám Király, Márton Mikulik (vocals)
Rossini: La regata veneziana – 1. Anzoleta avanti la regata, 2. Anzoleta co passa la regata
Vivienne Ortan (vocals), Gábor Alszászy (piano)
Behind the scenes - Insights into the ridiculously mystical moments of BA III students...: How does a team prepare for a production? How do you go from nothing to something? What are group dynamics? Is there a bad idea? Public hour, or an unstaged rehearsal in 15 minutes
Alkotók: László Czinke, Jázmin El-sayed, Donatella Hunyadi, Júlia Kovács, Gréta Mészáros, Diána Szőke, Rita Termes, Bence Varga

intermission

Fauré: Three Songs, Op. 23 – 2. Notre amour
Fauré: Cinq mélodies ‘de Venise’, Op. 58 – 5. C’est l’extase
Fauré: Three Songs, Op. 7 – 2. Hymne
Nikolette Mráz (vocals), Emese Virág (piano)
Presentation of the MA in Opera under the direction of András Almási-Tóth: Orpheus - the musical myth in the footsteps of Monteverdi, Haydn, Gluck, Offenbach
Natália Tuznik, Zsuzsanna Kapi, Amy van Walsum, Gabriella Fenyvesi, Boglárka Híves, Balázs Papp, Artúr Szeleczki, Áron Ottó Jóhansson (vocals)