EN
The most important class, however, for me and for hundreds of other Hungarian musicians, was the chamber-music class. From about the age of fourteen, and until graduation from the Academy, all instrumentalists except the heavy-brass players and percussionists had to participate in this course. Presiding over it for many years was the composer Leó Weiner, who thus exercised an enormous influence on three generations of Hungarian musicians.
Sir Georg Solti
Bartók & Khachaturian

5 June 2024, 19.00-22.00

Grand Hall

Bartók & Khachaturian Presented by Liszt Academy

Amano Honoka & Szolnok Symphonic

Bartók: Piano Concerto No. 2, BB 101

INTERMISSION

Hacsaturján: Masquerade – Suite
- Waltz
- Romance

Khachaturian: Gayane – Suite
- Scene of the Carpetweavers (from the 1942 version of the ballet)
- Dance of Aisha (from the Suite No. 1)
- Dance of the Rose Maidens (from the Suite No. 1)
- Dance of the Young Kurds (from the Suite No. 3)
- Gopak (from the Suite No. 3)
- Lezginka (from the Suite No. 1)

Amano Honoka (piano)
Featuring: Szolnok Symphonic
Conductor: Izaki Masahiro

Presented by

Szolnok Symphonic Nonprofit Kft., Zeneakadémia Koncertközpont

Tickets:

HUF 3 200, 4 500, 5 700

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Solti Hall