8 October 2024, 19.30-22.00
Grand Hall
Pure Baroque
AIR – a Baroque Journey Presented by Liszt Academy
Daniel Hope & His Chamber Music Partners
Ortiz: Recercada segunda
Händel: Keyboard Suite in D minor, HWV 437 » Sarabande (arranged by Olivier Fourés)
Falconieri: La suave melodia
Westhoff: Sonata No. 3 in D minor » 3. Imitazione delle campane
Matteis: Diverse bizzarrie sopra la Vecchia Sarabanda ò pur Ciaccona
Vivaldi: Trio Sonata in D minor, RV 63 (‘La Follia’)
INTERMISSION
Falconieri: Passacaglia à 3
Greensleeves – English Folk Song
Leclair: Tambourin
Uccellini: Sonate, arie et correnti, Op. 3 » Aria Quinta sopra la Bergamasca
Matteis: Ground after the Scotch Humour
Westhoff: Sonata No. 2 in A minor » 2. Imitazione del liuto
Falconieri: Ciaccona
Daniel Hope, Simos Papanas (violin), Nicola Mosca (cello), Emanuele Forni (lute), Markellos Chryssicos (harpsichord), Michael Metzler (percussion)
There are several possible ways of performing “early music”, whatever repertoire we understand by this term, ranging from historically informed (adhering strictly to the sources and research findings) to “romantic” (in fact, continuing the tradition of the first half of the 20th century) interpretations. Daniel Hope, renowned for his surprisingly fresh approach, is somewhere in the middle of this scale: in his own words, he wants to bring to the fore in his interpretations the ‘modernity of early music’ and its ‘exotic force’. In this spirit, he takes account of the turn in early music performance over the last half century, yet uses modern instruments and approaches the pieces from other perspectives in line with contemporary public taste. The repertoire he plays, however, is one that is familiar to specialists but generally avoided by ‘modern’ players: the music of the first golden age of the violin, the virtuoso composers of the 17th century.
- 10% discount for 2 concerts,
- 15% discount for 3 concerts,
- 20% discount for 4 or more concerts.
Presented by
Liszt Academy Concert Centre
Tickets:
HUF 3 900, 5 200, 6 500, 7 900