EN
The most important class, however, for me and for hundreds of other Hungarian musicians, was the chamber-music class. From about the age of fourteen, and until graduation from the Academy, all instrumentalists except the heavy-brass players and percussionists had to participate in this course. Presiding over it for many years was the composer Leó Weiner, who thus exercised an enormous influence on three generations of Hungarian musicians.
Sir Georg Solti
Dialogue

1 March 2023, 19.00-21.00

Solti Hall

Contrasts

Dialogue Presented by Liszt Academy

Concert series by the Chamber Music Department

Haydn: String Quartet No. 59 in G minor, Hob. III:74 ('Rider') [op. 74/3]
Maryia Trepashka, Fanni Mákszem (violin), Ádám Bruck (viola), Domonkos Bognár (cello)
Beethoven: String Quartet No. 4 in C minor, Op. 18/4
Zoltán Schwartz, Marley Erickson (violin), József Sándor (viola), Hagiwara Izumi (cello)

intermission

Borodin: String Quartet No. 2 in D major
András Vavrinecz, Ágoston D. Nagy (violin), Dorina Molnár (viola), Hagiwara Izumi (cello)
Debussy: String Quartet in G minor, Op. 10
Márton Sárréti, Márton Wunderlich (violin), Kata Koppán (viola), Barnabás Tóth (cello)

Presented by

Liszt Academy Concert Centre

Tickets:

Admission is free, subjected to the capacity of the room.

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