EN
The most important class, however, for me and for hundreds of other Hungarian musicians, was the chamber-music class. From about the age of fourteen, and until graduation from the Academy, all instrumentalists except the heavy-brass players and percussionists had to participate in this course. Presiding over it for many years was the composer Leó Weiner, who thus exercised an enormous influence on three generations of Hungarian musicians.
Sir Georg Solti
Doctoral Concerts/2

23 November 2022, 19.00-22.00

Solti Hall

Doctoral Concerts/2 Presented by Liszt Academy

Wieniawski: L’école moderne, Op. 10 – 8. Le Chant du bivouac
Paganini:4 Caprices, Op. 1– No. 21 in A major, No. 24 in A minor
Márton Vörösváry (violin)
Casey Cangelosi: Caprice
Rebeka Drahos (piccolo), Dániel Janca (xylophone)
Mozart: Flute Concerto in D major, K. 314 – 3. Rondo. Allegretto
Ildikó Szabady (flute), Gergely Kovács (piano)
Distler: Kleine Adventsmusik, Op. 4
Aliz Szeitl (flute), András Győri (oboe), Anna Gál-Tamási (violin), Rajmund Kun (organ)
Őri Chamber Choir
Conductor: Ádám Balázs Galambos

INTERMISSION

Liszt: Harmonies poétiques et religieuses
Liszt: Czárdás macabre
László Váradi (piano)
Bartók: Sonata for Violin and Piano No. 1, BB 84
Ottília Revóczky (violin), Domonkos Csabay (piano)

Presented by

LFZE Doctoral School

Tickets:

Admission to the concert is free. Tickets can be claimed at the website and at the Ticket Office of the Liszt Academy one month before the concert.

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