4 February 2022, 19.00-21.30
Solti Hall
Here and Now
Amadinda Percussion Project Presented by Liszt Academy
Gibbons: Keyboard Pieces
J. S. Bach: Two and Three Part Inventions
J. S. Bach: Das wohltemperierte Klavier, book 2 – Fugue in F minor, BWV 881
Dániel Láposi: Circle of Encounter (premiere)
intermission
Bartók: String Quartet No. 4, BB 95 – 4. Allegretto pizzicato
Aurél Holló: Viola Express
Bartók: Mikrokosmos, BB 105 – Volume IV: From the Island of Bali
Ravel: Ma mère l’oye – 3. Laideronnette, impératrice des pagodes (Little Ugly Girl, Empress of the Pagodas)
Debussy: Estampes – 1. Pagodes
Aurél Holló, Zoltán Rácz
Máté Szűcs (viola)
Students of the Liszt Academy: Dániel Láposi, Kornél Hencz, Dávid Burcsik, András Simon, Bence Siptár, Dávid Onozó, Kristóf Urbán
Bartók Conservatoire: Ádám Puskás
King Saint Stephen Conservatoire: Benjámin Mohácsi
Arrangements, as well as contemporary works and traditional percussion pieces, have always played an important role in the repertoire of the Amadinda Percussion Group. In the concert set up jointly with students of the Liszt Academy, works by Gibbons, Bach, Bartók, Ravel and Debussy are performed, pieces typically written for keyboard instruments, the arrangement of which for melodic percussion instruments is an apparently obvious transformation. Bartók’s famous pizzicato movement from his fourth quartet holds out the promise of a truly extraordinary and special experience: the percussive character of Bartókian music is manifested to the senses. The concert also features a world premiere: the percussion trio of Dániel Láposi, the young percussionist, composer and an artist experimenting with innovative concert forms, winner of the most recent UMZF Composer Competition – grand orchestra category. The performance of this piece is as dramatic for the eyes as it is for the ears.
Presented by
Liszt Academy Concert Centre
Supporter:
Liszt Academy FoundationTickets:
HUF 2 900, 3 900