The most important class, however, for me and for hundreds of other Hungarian musicians, was the chamber-music class. From about the age of fourteen, and until graduation from the Academy, all instrumentalists except the heavy-brass players and percussionists had to participate in this course. Presiding over it for many years was the composer Leó Weiner, who thus exercised an enormous influence on three generations of Hungarian musicians.

Sir Georg Solti

Concert Centre News

Parity

8 November 2013

There can be no better way of revealing the symbiosis of teaching and concert performance than the concert series ”On the Spot”, which introduces the departments of the Liszt Academy. Ahead of the upcoming concerts presenting the Jazz Department and the Trombone Department, pianist Károly Binder, head of the Jazz Department, and trombonist Gusztáv Hőna, head of the Woodwinds and Brass Department, spoke to Tamás Vajna about the importance of scripted music and improvisation, the unavoidability of contemporary music, and the features of Hungarian jazz.

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Return of the Genius

6 November 2013

After a seven-year break the charismatic Russian returns to the Liszt Academy in order to play one of the most charming piano concertos by Mozart. Text by Gergely Fazekas

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Absolute Freedom

4 November 2013

This is the first time that Brad Mehldau is going solo in Hungary, in the Grand Hall of the Liszt Academy. Interview by Tamás Vajna

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Two New Competition Wins

26 October 2013

Mihály Demeniv won first prize at the International Lanciano Accordion Competition and Márton Takáts won second prize at the piano competition organized in Lodz.

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