With top awards from over 20 international piano competitions to his credit,  Russian-born Alexandre Moutouzkine, who now lives and teaches in New York and is a member of the jury for the competition, will contribute to the decision on which young talent is to be the winner. A lecturer at the Manhattan School of Music, he admits that discovering Bartók’s universe is an experience beyond description to a performing artist.

Lithuanian pianist Mūza Rubackytė divides her time between Vilnius, Paris and Geneva. Indeed, she is a welcome guest on every continent, and her home country has recognised her with a Medal of Honour, among other awards. As a member of the jury of the Bartók World Competition and as the Director of Music of the Vilnius Piano Music Festival, she has presented a special prize to the winner of the competition, Ádám Szokolay: an opportunity for him to perform in the Lithuanian capital in November 2021.

He was born in the United States and lives there, but speaks perfect Hungarian and has been drawn to Bartók’s music since the very beginning. Peter Klimo took the stage with Bartók’s Piano Concerto No. 3 at the orchestral finals of the Bartók World Competition.

At 21, Ádám Balogh has already been a prize winner at a number of international piano competitions and a guest soloist with acclaimed orchestras. He first appeared with the Budapest Festival Orchestra in 2010. The youngest competitor in the Bartók World Competition, he played Liszt’s Concerto for Piano in A Major in the orchestral finals.

Ádám Zsolt Szokolay played Bartók’s Piano Concerto No. 1 at the orchestral grand final of the Bartók World Competition and was later declared the winner at the gala evening. After the awards ceremony, he said he had managed to put all his ideas into practice at the competition and felt that the firm focus he experienced there would assist him in his career. At present, he is in the process of honing his skills as a student at the Hochschule für Musik Franz Liszt in Weimar and is convinced that Bartók’s music demands an open-hearted approach.

Ádám Szokolay, 23, has clinched first place at the 2019 Bartók World Competition, organised by the Academy of Music for pianists this year. At the gala evening held on 15 September, second place went to Ádám Balogh, while Peter Klimo came in third.

Liszt Prize-winning pianist Kálmán Dráfi believes that anyone who can give an excellent performance of Bartók can play almost anything else and that therefore one of the greatest geniuses of the 20th century ought to receive a higher stature in the repertoires of Hungarian pianists. A department head at the Liszt Ferenc Academy of Music, Dráfi is a member of the jury for the Bartók World Competition, which is expected to decide late Saturday night who wins this year’s piano category.

An English-language international conference linked to this year’s Bartók World Competition has again been held by the Institute for Musicology of the Research Centre for the Humanities, Hungarian Academy of Sciences. Held on September 14, the symposium focused on Bartók and the piano and the first volume of a Bartók complete critical edition published by the Institute this year.

The jury for this year’s Bartók World Competition is headed by Kenji Watanabe, one of Japan’s best-known pianists, who is also noted for his authentic interpretations of Liszt and Bartók. Currently a lecturer at the Tokyo University of the Arts, he studied at the Liszt Academy in the 1980s, where he learned to speak Hungarian, and he believes that his command of the language has helped him a great deal to uncover the inner logic of Bartók’s musical world.