At 21, Ádám Balogh has already been a prize winner at a number of international piano competitions and a guest soloist with acclaimed orchestras. He first appeared with the Budapest Festival Orchestra in 2010. The youngest competitor in the Bartók World Competition, he played Liszt’s Concerto for Piano in A Major in the orchestral finals.

Ádám Zsolt Szokolay played Bartók’s Piano Concerto No. 1 at the orchestral grand final of the Bartók World Competition and was later declared the winner at the gala evening. After the awards ceremony, he said he had managed to put all his ideas into practice at the competition and felt that the firm focus he experienced there would assist him in his career. At present, he is in the process of honing his skills as a student at the Hochschule für Musik Franz Liszt in Weimar and is convinced that Bartók’s music demands an open-hearted approach.

Ádám Szokolay, 23, has clinched first place at the 2019 Bartók World Competition, organised by the Academy of Music for pianists this year. At the gala evening held on 15 September, second place went to Ádám Balogh, while Peter Klimo came in third.

Liszt Prize-winning pianist Kálmán Dráfi believes that anyone who can give an excellent performance of Bartók can play almost anything else and that therefore one of the greatest geniuses of the 20th century ought to receive a higher stature in the repertoires of Hungarian pianists. A department head at the Liszt Ferenc Academy of Music, Dráfi is a member of the jury for the Bartók World Competition, which is expected to decide late Saturday night who wins this year’s piano category.

The jury for this year’s Bartók World Competition is headed by Kenji Watanabe, one of Japan’s best-known pianists, who is also noted for his authentic interpretations of Liszt and Bartók. Currently a lecturer at the Tokyo University of the Arts, he studied at the Liszt Academy in the 1980s, where he learned to speak Hungarian, and he believes that his command of the language has helped him a great deal to uncover the inner logic of Bartók’s musical world.